State of grace.

I have forgotten your name,
I think you must have forgotten mine.
This world between us
darkness and chaos after the brilliant light.

Never thought how cold I would feel,
after the spirit had left and I stood still.
Time and time again I call for you,
broken, you have left me for real.

I don’t hear your cry anymore,
not above the screams of my anger.
Cussing you for showing me the things that you did,
now they are just mirages, glasses in my throat.

How to go on without the piece of me
that you have brought along.
There’s no longer recognition,
strangers with forsaken tougues.

Saying these words,
living this life,
everything that I do
I can’t deny it.

It takes me back,
back to the gate,
with all that I know,
still, there’s no turning away.

Far from grace,
call it a home.
There’s a piece of you inside me,
a permanent wound.

The pain and emptiness
are there for a reason.
In a state of grace,
I know each and every road I’ve taken.

Trees in the dark-part 2.

The building smells of cold cement. It’s a comforting smell, it keeps Ming grounded as she feels her way down the stone stairs that have the color that is indistinguishable from that of the wall. A couple more steps, and she’s on the 2nd floor and the window there let in the silver gray moonlight that does not enhance the coloring of the winding stairway. But it is a nice relief nevertheless. Not that Ming minds it either way, the darkness with its soft edge always envelopes her, while the otherworldly moonbeam elevates her and makes her solemn. She welcomes them as the old friends that they are.

Now she’s out of the building. The world seems more surreal even. When one finds home in the shadows, the opening of the space, even just the space between two rows of identical buildings gives the sense that somethings can be shifted in unexpected ways. It gives she the sense of awe and the joy of being able to feel that awe. The shinny gray resident walkway under the moon and the sparse tree covers looks like a static river, and on this river, Ming floats among the two three-story buildings, looking at nothing and everything. She does not feel like anything is surprising, and yet. There’s the window with light still shines through it, the curtains contain the secret of that particular block of space, so small looking from she’s walking, yet so deep it’s impossible to penetrate.

Rows of identical buildings are etched in her mind’s eye. They are like puzzle pieces of life, never-ending combinations and permutations and multitudes of variations under the stars, made of concrete and lives, bicycles and trash bags. And now it’s all so quiet. Like everything are in its proper place, for this moment, and then everything changes again, and yet not changed, it’s just a cycle that repeats. Ming does not understand why that is.

Getting out of the neighborhood of the maze made out of 3-story building is a revolution itself. Not wanting to looks back once, she steps outside of the pull of a mysterious gravity source that is called home, into the market place that would have buzzed with activity starting in the early morning with the breakfast crowd. Ming can smell the DouFu Nao (spicy tofu soup with bean paste) and JianBing Guo Zi (green-bean crepe with egg, the best morning starter ever), but that is 9 hours away, so she savors the mental taste in her mouth and hurries on.

Not that she does not want to be seen walking alone, a ten-year-old child, in the middle of the street, in the middle of the night. But she has a destination, and she has a purpose. This grand adventure has set in her mind an identity, she is living it, she is not afraid of anything, only worry is that she is not able to be that person. She is chasing herself. When the street lights alternates the color of the world with each of her steps, she imagines nothing, but this world within her. The colors are her own, the echoes of her steps are as firm as her steps, the darkness and the dim lights washes over her mind in time, the wind is as gentle as prayers that she dreamt. The world is hers.

Trees in the dark.

It’s getting late, she thinks, maybe a little too late, but something is pulling her towards the park, several streets from her apartment, a whole neighborhood or two away, but she knows that she will go nevertheless. She can feel it, a pleasant buzz is all that she can understand, her whole body hums with the desire to just be there. She knows that she will be, and she can not wait.

Nobody will stop her. Her parents are either home or not home, she does not care much, since they won’t be stopping her from going to a far-away park in the middle of night by herself, being just ten years old. They are not concerned with her, nothing ever happens to her, they seem to think she neither exists nor non-exists. As the only child, she is just there, one day happened upon their lives and no doubt it will just be that way always.

Not that Ming minds. She much prefers to keep to herself, for after all, there is so much of herself to be content with. One part of her now stands silently in this park that she is looking forward to venture into, to which she will be rejoining in utter bliss for maybe half an hour or an eternity, then bid that part of her goodbye with all the tenderness of a fresh young lover on her first taste of the eternal life. Then for the whole of the next day, she will know contentment as only a lucky few has ever felt before. She knows that to be true, for not only does that union give her the sense of purpose, it also gives her the ultimate gift: the appreciation of her very life.

She senses are sharpened in the darkness. There are no lights in the ancient, slightly tilting brick building in which her parents’ apartment is part of.

To be continued…

Change of hearts.

May it be so that we are but multitudes of hearts. Some are flaring like light houses, while others burn red hot and groan and flow like lava. How do we comfort the rise and flow of such forces, which give our lives their texture, their misery, their drive.

How much is too much and how to load the self-pities and domains with ease. Without second guessing, without glancing all around in search of the source of one particular evil. How does one lay his wary head to sleep, dreaming of death and birth and nothing else.

Connect or not to connect. That is the question. Be careful on your choosing of words, sentences, glances, your footing, the chair you are leaning against, are they yours, can you care.

Why should you care. If life is but pieces of shredded pages from a story book that was long lost and horribly remade and retold, with each generation, can truth last. Too many truth now, are we alive.

Love is a dangerous notion, understanding holds its own peril. How to love without being real, without being true, without being touched. What touches you can also kill you. What is love but fire already raged for too long, inside. What do you see.

Change is the devil and the saint. Grinding over the past life and be sure not what has been sown. Time can tell, time kills.

Is it wrong to have too many hearts. One heart for the sand in my eye, one for the air in my lung, one for the rain touching the ground, one for the life that is stretching long.

Love too many things, hanging the stars on every tree, finding a moon in every pond. Dance as if the spirit has never been broken, sing a song that only a bird can want.

Forgetting, forgetting, forgot.